Best of all, Sony has done this without losing the benefits of having dedicated tracks for each sound.Īnother key feature is the ability to record simultaneous audio and MIDI inputs. Together, these new features make Acid more adept at dealing with live recordings. But, version 7 removes the one-sound-per-track limitation and automatically crossfades overlapped sounds. However, this system works less well for live performance recordings, particularly when combining different takes into a single compiled performance. Sony’s response is to develop Acid in the other direction, expanding and refining its general-purpose recording features.Ī key ingredient to Acid’s ease of use is each recording has its own dedicated track, making it quick to arrange samples on the timeline. Both packages are still going strong, but most competitors have matched their ability to lock sample loops to the project tempo and key.
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